TV writers use Courier 12 for the script, but sometimes Times New Roman for elements of the title page. Single-camera half-hour comedy scripts tend to be shorter.)įormatting the TITLE PAGE, CAST LIST, and SET LIST: ![]() Total 21-41 pages (Multi-camera sitcom scripts tend to be longer. ![]() Here are some typical examples of act break structure. Pick a show in your genre and analyze its specific formatting and structure. Streaming video on demand (SVOD) shows (like Netflix’s Stranger Things) and some cable shows don’t need written act breaks, but they still have inherent act turning points and you’ll need END EPISODE (capped, underlined and centred) at the end. Remember to write END OF ACT ONE before you write ACT TWO. Next, write your act breaks into the script (centred, capped and underlined). TV writers in Vancouver tend to use Movie Magic Screenwriter. TV writers in LA tend to use Final Draft. But you’ll need screenwriting software eventually. Set dialogue 2.5 inches (6.3 cm) on each side from the margins. Write the character names in caps 3.5 inches (9 cm) from the left margin. If you don’t have screenwriting software yet: Set margins 1.5 inches (3.8 cm) from the left page edge. So, when you’re writing an original TV pilot script, how do you know which rules apply? There are some guidelines that apply to all TV scripts. In television, every genre and every series has a different formatting style.
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